1. Your book is self-published - what has this experience been like self-publishing your own book? What have been some of the challenges and rewards?
Self-publishing has been a worthwhile journey for me. The process of getting published can take years, beginning with finding a good agent who is willing to invest in your work, who then advocates on your behalf to different publishing houses. The manuscript passes through many hands, and likely it’s dramatically altered in the end, for better or worse. Even after publishing, much of the promotional efforts are in the author’s hands, so I decided to take a chance on myself and get things moving, though traditional publishing is not something I've shunned. If opportunities arise in the future to go this route, I’d likely consider them.
As far as challenges, editing and word processing were a huge part of it, just getting it to the point where I felt satisfied with it. I take my work very seriously, and I can be very much a perfectionist with it. For me, self-publishing has been a great tool of expression and empowerment. I love that I have full reign as a publisher, that I can design the book inside and out and keep the chapters just as I want them. Another difficulty with self-publishing is the stigma attached to it, since anyone can self-publish, but that doesn't mean my book or many others are not legitimate works. Readers have thusfar enjoyed Roeing Oaks, and that's the point of it anyway.
2. What inspired you to write Roeing Oaks?
My faith was a big inspiration for Roeing Oaks. After watching a modern Cinderella movie that I loved, I found myself questioning if there was ever a true Prince Charming. Who among us is that perfectly delightful? Then I got to thinking according to my faith how Jesus was the only perfect man to have ever walked the planet, and how for me personally he has been something of a Prince Charming, spiritually speaking. The idea for the book began to take form, and Mr. Roeing became a kind of prototype to demonstrate the great goodness of Jesus, and portray his complexity alongside an interesting storyline. He is not the main character, however. Researching nineteenth century England with its intriguing system of nobility and its own complexities, I was able to flesh out the story with historical facts.
3. The premise of this story is of a husband who auctions his wife off so that he can marry another. Was this a common occurrence in Victorian England or a plot device of your creation? Is it all the more shocking because the family was members of the nobility?
I actually did not create this scenario! It really did happen in the eighteenth and nineteenth centuries, though generally it happened in rural communities, and not all that often by the Victorian era, but it has been documented as happening all the way through to the twentieth century. It had to do with the wife being the husband’s legal possession, and the cost of divorce was prohibitively expensive. Since women were not self-supporting in those days another way to look at the practice of wife-selling, which did take place at auctions, was that the unhappily married husband cared enough to make sure her needs would be provided for upon separating from her instead of simply abandoning her, as many husbands did. It is also noted historically, true or untrue, that the wife would have been a consenting party to the sale.
As far as challenges, editing and word processing were a huge part of it, just getting it to the point where I felt satisfied with it. I take my work very seriously, and I can be very much a perfectionist with it. For me, self-publishing has been a great tool of expression and empowerment. I love that I have full reign as a publisher, that I can design the book inside and out and keep the chapters just as I want them. Another difficulty with self-publishing is the stigma attached to it, since anyone can self-publish, but that doesn't mean my book or many others are not legitimate works. Readers have thusfar enjoyed Roeing Oaks, and that's the point of it anyway.
2. What inspired you to write Roeing Oaks?
My faith was a big inspiration for Roeing Oaks. After watching a modern Cinderella movie that I loved, I found myself questioning if there was ever a true Prince Charming. Who among us is that perfectly delightful? Then I got to thinking according to my faith how Jesus was the only perfect man to have ever walked the planet, and how for me personally he has been something of a Prince Charming, spiritually speaking. The idea for the book began to take form, and Mr. Roeing became a kind of prototype to demonstrate the great goodness of Jesus, and portray his complexity alongside an interesting storyline. He is not the main character, however. Researching nineteenth century England with its intriguing system of nobility and its own complexities, I was able to flesh out the story with historical facts.
3. The premise of this story is of a husband who auctions his wife off so that he can marry another. Was this a common occurrence in Victorian England or a plot device of your creation? Is it all the more shocking because the family was members of the nobility?
I actually did not create this scenario! It really did happen in the eighteenth and nineteenth centuries, though generally it happened in rural communities, and not all that often by the Victorian era, but it has been documented as happening all the way through to the twentieth century. It had to do with the wife being the husband’s legal possession, and the cost of divorce was prohibitively expensive. Since women were not self-supporting in those days another way to look at the practice of wife-selling, which did take place at auctions, was that the unhappily married husband cared enough to make sure her needs would be provided for upon separating from her instead of simply abandoning her, as many husbands did. It is also noted historically, true or untrue, that the wife would have been a consenting party to the sale.
The twist in Roeing Oaks is that the family was a noble family, for whom divorce was affordable but included obtaining an Act of Parliament and enduring a humiliating public trial, necessary if a legal re-marriage was on the agenda. Our clever character found a way around all that by taking his wife to auction at a cattle market far from home and creating lies that she deserted him for another man. Alleged desertion and adultery charges proved enough for Alistair Percy to get his legal divorce granted.
4. Was it difficult to find historical evidence during your research for this book? Were any of the characters in the novel based off of real historical people?
Much of the historical evidence I happened upon while reading about the time period, but some of the facts, like wife-selling, are indeed obscure. None of the characters are based off of real historical people.
5. The way Roeing Oaks ends, should we expect that there is a sequel in the works? What are you currently working on?
There is a sequel in the works, which I am passionate about. There is so much more to Kate’s story! I am also working on an unrelated present-day novel, which I hope to be finished with at about the same time.
6. What are some things you enjoy doing when you aren’t writing?
The older I get the more important family and friends are to me, so I try to keep myself available for spending time with them. Exploring is important to me, whether by traveling, reading, or getting to know people who are different from myself. I also enjoy cooking and hearing/playing music, singing…the list goes on. Life should be enjoyed!
Kristina and her husband are the parents of two fantastic children, who keep them on their toes and challenge their sanity, but fill their hearts with love
You can visit Kristina's website to purchase this amazing book!
Copyright © 2010 by The Maiden’s Court
Today is the final day of the HFBRT event for March: The Scarlet Lion. I really enjoyed this event – there was a lot of interaction between the blogs and a large amount of comments. Even Elizabeth Chadwick dropped by for a comment on my Caught on Tape! A summary of the event will be forthcoming at the Round Table site, but here is a summary of what occurred at The Maiden’s Court this week:
Following close on the heels of The Scarlet Lion week, we have Claude and Camille week beginning April 6th – so you won’t have to wait too long. I know that all of us a VERY excited about this upcoming event. I LOVED the book – can’t wait to share it with all of you – but I need to get cracking on my review and post!
As far as my reading goes – I’m still working on Within the Hollow Crown by Margaret Campbell Barnes. I like it more now, around page 200, than I did around page 100, but I’m still not feeling it. I’m not sure if it is the characters or the writing. I also haven’t had much time to read more than a few pages at a time, but I need to get finished on this one too. On audiobook, I’m reading The Notebook by Nicholas Sparks. Even though I have seen the movie so many times, it’s not taking anything away from the book. I’m going to have to seek out a library that has a decent audio selection up near my new apartment. I also finished watching the first season of Robin Hood, the BBC show. I found it highly enjoyable. I went to go buy season 2, and of course, the store only carries season 3. So, I must go online and find it. I may have a review of season 1 sometime soon.
Also today at HFBRT:
Last week I finished listening to my audiobook of Dear John by Nicholas Sparks. I really enjoyed this read and was teary eyed at several points throught out. I haven't seen the movie, but I know that it can't end the same way as the book. One of my friends was hinting at the ending, and it doesn't seem like that was what happened in the book. So this might be another book to screen change that I don't like. We will see. My next audio, which I'm about half way through right now, is One For the Money by Janet Evanovich from the Stephanie Plum series. Loving it!
